I am 99.9% positive that this is model Jean Shrimpton on the cover of Vogue magazine. The really strange thing is that Vogue did not identify the cover girl; only giving details of the photographer (William Klein), evening dress (St. Laurent), hairdresser (Alexandre), and lipstick (Charles of the Ritz Cultured Pink). It is a gorgeous and elegant cover, however. And in a year or two, Jean Shrimpton would be the reigning supermodel of the Mod era.
This is a wonderful Max Factor makeup ad from the April 15, 1963 issue of Vogue magazine. The early 1960s were a particularly elegant and classic time, due in part from the stylish influence of First Lady Jackie Kennedy. The models here are particularly stunning and high-maintenance; not your everyday woman.
Max Factor makeup was all about coverage and a flawless look. Pan-Stick foundation came in a nifty swivel case, to cover up all your imperfections and lock-in moisture. Creme-Puff was a velvety blend of powder and foundation. Erace was a touch-up stick to make dark circles, lines and flaws instantly invisible. Hi-Fi Fluid was a blend of moisturizers and beauty oils to create a natural dewy look. Sheer Genius blended moisturizers, foundation and powder to give a soft matte finish. The original Pan-Cake makeup covered lines, blemishes and freckles with its superbly smooth , natural finish.
Leopard print – or Panther pattern, as described here – has always been in fashion. Valentino Boutiques featured these tawny neutrals with playful animal themes in a 1987 collection. In luxurious cashmere and suede, they personified the over-the-top 80s style. MEOW!
In keeping with the bold, bright and vivid vibe of the 1980s, Christian Dior introduced their Haute Couleur lipsticks. They soothed, softened, moisturized and protected from the sun. This gorgeous fuchsia/hot pink shade is FABULOUS – my absolute favorite color! ♥
Chanel introduced its suncare system in 1987 with the Soleil line, created in Europe. Tanning was still popular in the 1980s, and, in keeping with Coco Chanel’s penchant for a golden tan, Chanel’s focus was on maintaining that golden glow, not so much on sun protection.
The highest SPF was 15 in the Haute Protection sun shelter cream, which is laughable these days. The Bronzage Progressif protective bronzing lotion had an SPF 8, which is even more laughable. The whole focus was on getting tan first, then ‘restoring’ your damaged skin with Apres-Soleil Revitalisant face cream and Apres-Soleil Apaisant body lotion. The illusion that you could maintain that golden young glow of summer was very real.
Spring 1972 was an especially stylish time for French fashion. I really loved this blip of a moment in the early 70s, where all things Parisian were tres chic! These gorgeously hip and trendy pieces were FABULOUS. Sonia Rykiel designed all the items in the top photo: mohair and angora sweater sets, wool jersey widepants that end above the ankle, along with the berets, bags, belts, fake fruit and shoes.
The second photo showcases big puffy batwing sleeve sweaters and man-tailored trousers in pastel colors designed by Maud Frizon, J.A.P., and Dorothee Bis. Tall platform sandals and jaunty berets completed the look. At the same time, Betsey Johnson was designing similarly in the USA, and BIBA in the UK, but this was a decidedly Parisian take that only the French can do. ♥
I'm Marilyn, and I'm obsessed with vintage clothing, thrift stores, clotheslines, and Chanel. Welcome to my down-to-earth world!