Patsy Sullivan~Yardley of London Model Extraordinaire!

If you are a regular reader of my blog, you will know that I have a slight obsession with Yardley of London cosmetics of the late 60s and early 70s. I’ve posted many a Yardley ad featuring the beautiful models of the time. Imagine my surprise when I received an email from none other than Yardley model, Patsy Sullivan! Patsy followed Olivia Hussey, and was under contract to Yardley from 1968 to 1972. She found my Yardley blog posts and wanted to let me know that she was the model in several of the ads. Rather than go back and rewrite all my posts, I will give you Patsy in all her glory and compile her beautiful ads in this post. So here goes!

Vintage 1968 Yardley Face Slicker ad Patsy Sullivan1968 Face Slicker ad.  So romantic! Patsy told me that the male model here is Bruce Weber, before he became a photographer.

Slicker Dial by Yardley ad 1968 Patsy Sullivan1968 Slicker Dial ad. Love the hairstyle!

Yardley of London Cellophanes ad 1969 Patsy SullivanYardley of London vintage 1969 cellophanes ad1969 Cellophanes ad. So colorful!

Yardley of London New Soul Eyes 1970 Patsy Sullivan1970 New Soul Eyes. Pretty in Blue!

A gracious thank you to Patsy for reaching out to me! Your beautiful images were a huge part of my teenaged years; I could only dream to look as lovely as you.

~Marilyn

This is Love (Cosmetics) in 1972

Seeing these Love Cosmetics ads, from the April and June 1972 issues of Ingenue magazine, made me remember that there were makeup companies other than my cherished Yardley of London! Love Cosmetics was introduced by Menley & James Laboratories on March 1, 1969, and their advertising was coordinated by Mary Wells Lawrence’s advertising agency, Wells, Rich, Greene. Marketing focus was towards young women, ages 20-25, who were trend-setting makeup wearers.

Love Cosmetics Lovestick Vintage 1972Makeup was not particularly heavy in 1972; trends favoring a fresh-faced, ‘baby doll’ look. The Lovestick Color Glazes promised a clear, fresh-picked lip color that was almost transparent. But with rich, vibrant colors that are shiny, moist and vibrant. This ad seems to me like an American take on the Biba look, which was huge in Britain at the time. I don’t remember wearing Lovestick Color Glazes in 1972. That’s because I was so caught up in wearing my Yardley Pot o’ Gloss, of which there was (or ever will be) no equal!

Love Cosmetics Blushing Cheek Gel Vintage 1972Continuing on with the fresh-faced All-American look that Love was going after, here we have Love’s Really Blushing Cheek Gel. Meant to give a naturally vibrant look of someone who’s just been given a compliment worth blushing over. The model has a soft, shy look and loose, bouncy curls. I probably used this cheek gel at some point, because makeup gels were ubiquitous in 1972 and we all had to try them. Personally, I hated cheek gels. They never went on that well for me, and left kind of a stained look. Not attractive. Powder blusher was (and is) the way for me.

~Marilyn

Seventeen Magazine’s Boho Peasant Look of 1970

Vintage 1970 Paisley Peasant lookOne of my very favorite vintage fashion styles is the folksy peasant look of the late 60s and into the 70s. In fact, I wore it then and still wear it today to a certain extent (limited to a piece at a time; I can’t do the full-blown look anymore). It is still on-trend today, with vintage pieces being marketed as Boho, hippie, ethnic, gypsy and festival. So when I saw this fab fashion spread in the October 1970 issue of Seventeen magazine, I smiled and felt a certain satisfaction that this look continues on, 44 years later!

Vintage 1970 Boho Paisley lookI love these rich challis printings in a flurry of paisley! With peasant styling, in mini and maxi lengths, there is a lot of color and pattern mixing.

Vintage 1970 India print folk lookThen, as it is now, the color-chimed prints of India were popular. The Indian patternings painted brilliant tapestries in a harvest of separates.

Vintage 1970 Boho Festival lookTops zing close, skirts swing loose—long or longer. This is one look that always comes back in style!

~Marilyn

 

Autumn Angora

Vintage Pink Angora SweaterNow that Autumn officially arrived last night, I definitely feel the change of season! Almost like clockwork, a shift to autumn-like things seems to happen automatically. My son is back safely ensconced in his university for his junior year. The moving-in to a huge in-city campus never seems to get any easier, but somehow I manage to get ‘er done, migraine headache nonwithstanding.

I also retrieved, from my huge pile of vintage sweaters, the fluffy angora ones that have been lying in wait. I can hardly bear to look or handle them in the heat of summer, but as soon as the coolness hits I want to see them. I washed three angora sweaters today, and now they are calmly perched on their drying racks for the slow dry. It’s almost like magic how much a gentle washing and air-dry brings out the natural fluffiness of the angora rabbit hair. These will soon be up for sale, but I have to have patience. One cannot rush drying a vintage angora sweater!

The above picture is from the cover of the November 1968 issue of Seventeen magazine, and is one of my favorites. It features the coolest angora sweater, “a pink-cloud pullover that’s angelically hooded and devilishly pretty”, on a lovely model. Fluffy, soft angora has always its fashion day over the years, and is especially on-trend this season. It is one thing that never seems to go out of style.

~Marilyn

Vintage 60s Mallorca Shawl Crochet Pattern

Vintage Mallorca Shawl crochet patternIn 2004, Jessica Simpson wore several of designer Cecilia de Bucourt’s crochet shawls on her reality show, Newlyweds: Nick and Jessica. The shawl caused a fashion frenzy, with Cecilia de Bucourt’s signature shawls flying off the shelf. There was a surge of crochet patterns circulating at that time, duplicating the chunky knit shawl. I even ordered a shawl pattern from eBay and crocheted up two of these shawls myself back then. They were easy to crochet and turned out really well, even for a pretty basic crocheter like me.

What I find interesting is that this particular shawl pattern has been around for a long time. Case in point being this marvelous ‘Mallorca’ shawl pattern from the 1960s that I recently found. It’s pretty much an exact match to the de Bucourt shawl, with the open triangular shapes. Just goes to show you that there is really nothing new in fashion; what goes around comes around. And shawls, especially, seem to stand the test of time.

You can download the pattern here: Vintage Mallorca shawl crochet pattern

Now get crocheting! 🙂

~Marilyn

The September/Labor Day/FiOS Transition

Finnfemme summer backyardAll of a sudden it’s Labor Day. And September 1st. Two momentous days rolled up into one. Just the very word, September, carries with it new beginnings as well as a weightier tome. And what could be a more onerous name for a holiday as ‘Labor Day’? It’s a signal that more serious days are ahead.

The heck with all that! While I absolutely love summer, it always seems to turn out being a lot of work for me. Since I work at home and haven’t had a vacation in 13 years, there are always myriad projects for the house and yard that need attending to.  With my electrical engineering college student son home for the summer, he’s the perfect person to help with all the projects.

The biggest project this summer was getting Frontier FiOS fiber optic internet installed in our house. We’ve had DSL internet for years and I, having Luddite-like tendencies, was perfectly fine with it. But aforementioned son wasn’t content with that. For the seven or so years that the FiOS lines have been in our neighborhood, I have heard nothing but continual pestering that we needed FiOS. This reached a fevered pitch this summer as my son was used to the extremely fast internet connection he had at his university.  So I finally relented. And an installation appointment was made.

At first I was thinking it might be easy, like flipping a cable switch or something. But noooooooo, FiOS is a more complicated 3-phase process that takes about a week. The first phase is for the utility companies to come and locate all the buried utilities in the yard. My yard and street were soon covered in varying shades of spray-painted lines. In the second phase, since I have underground electrical wires, contractors came and dug a path and placed the fiber optic cable line from Frontier’s fiber terminal on the street to where it terminates at my home. Since they had to uproot the grass, I now have a clear path of where they placed it. The third and final phase was the actual FiOS service installation. This involves installing a optical network terminal (ONT) on the outside of the house, and a battery backup unit (BBU) in the garage. Then an Ethernet cable was run along the side of the house from the ONT to inside, where my computer is.

In preparation, my son and I embarked on a massive yard and house clean up. Not knowing exactly where they would be digging the lines outside, we cut down shrubs, pulled ivy and blackberry vines, pruned trees, weed-whacked, and mowed grass.  We cleaned out the garage to find a buried electrical outlet for the BBU. We also cleaned under my computer desk where there was a great accumulation of unneeded cable wires, and a mountain of dust. Nothing like the thought of an installer coming into my house to propel me to clean!

All’s well that ends well. FiOS is now installed and it works perfectly. All the workers involved were professional and efficient. Adam, the final installer, was especially polite and skillful. He did cast a subtle wary glance at the mountain of vintage clothing and collectible items that I have stored in the computer room, but didn’t say a word. And I didn’t offer any explanation. Some things are just meant to let be. 🙂

~Marilyn